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Teach a Horse to Sidepass Toward
You on the Ground
© 2005-08, Keith Hosman - All
Rights Reserved
Does your
horse move away as you try to mount up? The following exercise
will give you the cues and control you need to ask your horse to
move back into position.
Have you seen Pat Parelli, Clinton Anderson or other
famous horse trainers back away from their horses (on the
ground) – while their horses continue to sidestep toward them?
It looks pretty cool, doesn't it? It looks impressive, like
something that took years of training and maybe a little black
magic. Funny thing is, this trick with such a high "wow" factor
is actually one of the easier things to teach. This, as opposed
to a smooth flying lead change or a reiner's sliding stop – two
examples of "tricks" which take years to perfect. With an
amenable, tractable horse, you can teach the "sidepass toward
you" in just a few easy sessions.
Notice the two words "amenable" (willing) and "tractable"
(easily managed). If your horse isn't willing and easily
managed on the ground, if his shoulders can't be moved away or
he can't be backed up lightly, then shelve this exercise until
you've done more ground work. To look at it another way: If
your horse thinks he's the boss of you, don't even try this.
Find yourself a book, video or article on round penning/ground
control and start there. To be blunt, you have no business
attempting a more advanced maneuver if your horse is likely to
bowl you over when agitated. Ignore this advice, and you'll
find yourself with a real handful. This exercise involves steps
that, if glossed over or improperly taught, can teach your horse
to challenge you, rather than peacefully submit. If you're able
to walk your horse past a group of beckoning buddies or honking
cars or barking dogs without your pulse quickening, you should
be ready.
You'll need a
dressage whip and to saddle your horse. A saddled horse? Yes,
this is ground work, you won't be riding – but you'll see why
the saddle in a moment. The saddling isn't 100% necessary –
many trainers go without it here – but I've learned a little
trick to "motivate" my horse without upping the "danger ante,"
so to speak. More on this later. Also, put your headstall
(with a snaffle bit and reins) on the horse. The bit will offer
a clearer signal than would a plain halter. We'll be motivating
our horse to move his legs, then attempting to channel in which
direction he moves. Horses tend to "run through" halters and
allowing him to push past us or through a halter will place his
legs incorrectly (on top of our own, for instance), reward him
for resisting (when he blows past us, avoiding our request),
teach him that we can be ignored, or all of the above. Halters
used here simply make for a more difficult situation.
So, from the ground and with dressage whip in hand, you'll walk
your horse to a good solid wall. Nice flat, high walls, the
type you find in a the typical riding arena, are perfect. Not
so perfect are rickety fences that can causes issues should your
horse pull shenanigans. Note: Do not start "away" from a wall.
Sure, this maneuver can still be taught in the middle of an
open field – but you'll go grey waiting for the correct step,
while a wall "makes it happen" rather quickly. As Sun Tzu said
in "The Art of War," "Don't pick a fight till you're sure you
can win." (I'm paraphrasing, but you get the idea.)
We'll start on the left side; simply reverse everything to
"educate" your horse's right side: With your horse standing
parallel to, and about one foot from, the wall, take the rein in
your left hand, about 6-8 inches from the horse's mouth. You'll
grasp with a clenched fist with your thumb "up," toward the sky,
as opposed to, um, down, toward the ground. This thumb thing
seems like a minor thing – but the resulting angle gives you
added strength and it's the little stuff that, all combined,
makes training easy rather than exasperating. Note: If you
begin this exercise and find it to be more difficult than the
little voice in your head says it should be, re-read this
article and take note of the details I've stressed: The thumb
thing, using a snaffle bit (not a halter), beginning only when
your horse is ready, etc.
Stand not in front of your horse and not to his left, but in the
space in between, that is, sort of facing his left shoulder.
This area keeps you safer (notice the "er") from back leg kicks
or tramplings. DO NOT GET IN FRONT OF YOUR HORSE where a sudden
lurch can get you flattened. That would certainly take the fun
out of this. Raise the lunge whip in your right hand, as if a
conductor sans orchestra, up above your horse's left hip.
Now, listen and listen carefully: You must, must, must, develop
a pattern and a rhythm to that pattern. It keeps you
proactive and it breaks things down for your horse. If you want
the horse to ever read your body language and begin sidepassing
toward you, then you must be consistent with your teaching.
That means that if you begin by raising your hand, pausing,
clucking, and tapping, then ten minutes later you're still
following that flow and pattern. As I've said many times,
they've been everybody's dinner for eons and they're très fab at
reading body language. But they suck at reading minds. Always
holding your hand in such and such position and clucking is a
clear signal to the trained horse. Thinking "x" but asking your
horse to comply with inconsistent signals simply confuses and
aggravates the both of you. Well-trained horses seemingly read
their owner's minds, but they're either reacting to small clues
given to them by their rider's body language, or they're trying
things that have gotten them a release in the past, one after
the other until successful.
The underlying principle at work here is something you should
underscore in your brain: Horses are adept at realizing a
pattern. They're quick to realize that "a" always leads to "b"
which always leads to "c." They'll quickly begin skipping
directly to "c" when they see an "a." (Yes, you change your
pattern, dropping "b" entirely, when the horse "gets it.") This
is the reason you always begin your requests with the lightest
pressure possible. John Lyons 101 states that "your horse will
only ever be as light as the lightest pressure you use to make
your request." (Again, paraphrasing, but you get the point.)
You can always "up" your pressure, should the horse ignore you
– but always, always begin your requests by giving your horse
the benefit of the doubt. Believing he's going to comply each
and every time will keep you from starting out with too much
pressure and will accelerate improvement.
So, you're there facing your horse, standing in his front left
quadrant, holding the rein in your left hand, your right hand
raised and outstretched holding the dressage whip over the
horse's left hip. Begin walking backwards, in effect leading
your horse. Put a little backwards pressure on the rein in your
left hand (sort of pushing the horse backwards with about four
pounds of pressure). Keep moving and look at your horse's back
left hoof and think "step over and to your left." (Your horse
will continue walking forward, oblivious and think something
akin to "I'm starved" or "Gotta poop.") Keep moving, staring at
that hoof, and kiss. When your horse again ignores your request
(for maybe 40 seconds) to step to his left, tap with a bit more
intensity. We're developing that pattern we talked about.
We're also showing the horse that "Ignore me now and things get
progressively more uncomfortable for you." He's learning there
are ramifications for ignoring our requests and that he might as
well get off the couch and do the dishes when I first ask
because the alternative is having to do the dishes while he mops
the floor, studies his math and folds laundry. We back up our
cues (kisses and stances are pre-cues and cues) with
harder/quicker taps (tapping supplies motivation).
Right about now you're thinking "How the heck does my horse know
which direction to move his feet?" It's simple, he only has six
directions to choose from: up, down, backwards, forwards, left
and right. The slight backwards pressure we're applying to the
left rein as we walk backwards causes part of the horse's energy
to "leak" out in one of the other directions, (that is, besides
"forward"). You're partially blocking "forward," the wall
blocks his right side, limiting his choices to up, down and his
left. The moment he even leans in the proper direction, we'll
lighten our pressure on the rein greatly, say "good boy" and pet
him. With enough trial and error on the part of your
horse, he'll move the direction we've chosen repeatedly.
And you might be asking "How am I supposed to direct my horse
forward, yet backward at the same time?" First, don't fall
victim to "over thinking." The answer is simply this: You're
walking backwards at 2 mph, your taps are saying "move at 3
mph." If your horse isn't pushing into you (allowing you to
push back), then he's either stepping to the right (our goal) or
you're not applying enough pressure. (If he's going up, down,
or through the wall, go back and re-read that paragraph about
not starting this until your horse is ready to work with you.)
Or you might be wondering why we bother moving backwards at all?
Why not just stand still and tap? Because we want to
facilitate and encourage movement. We want the horse to be
thinking throughout this exercise "I'm supposed to be moving,
moving, moving" not "I'm supposed to move something then stop."
Plus, with him already moving, it's easier to deflect that
existing energy in a certain direction. (In the same way that
it's easier to roll a moving car to the left than directly to
the left from a standstill.) It also helps release – and
therefore regulate – some of the pressure your horse feels (like
steam from a kettle).
At first you'll look for very slight changes. You might get a
full step to his left, but more likely it'll be a simple lean.
You need to reward and build on these small changes. Note that
whether he moved correctly on purpose or by mistake, your
response is the same: Relax your grip, pause and pet.
Remember, it's your quick release that both rewards the horse
and tells him "That's what I'm looking for, right there." It's
paramount that you release your pressure as quickly as humanly
possible and that you relax for several seconds while you pet
your horse. Repeatedly asking, with no mini-breaks turns this
into one giant 30-minute exercise (as opposed to the 3-second
exercise that it is) and confuses your horse.
You'll continue upping your pressure every, say, thirty or forty
seconds, till the horse moves his back leg correctly. You're
not hitting your horse here or at any time – you're "annoying"
him with your taps in the same way that a fly on his lip might.
When / if he ignores us, we simply progressively "add more
flies" (tap quicker, kiss louder, etc.) until he complies. If a
sister can drive her brother nuts simply by staring at him in
the back of a car, you can certainly motivate your horse to take
a step with a dressage whip in your hand.
Okay, why the saddle? Because striking the saddle, as opposed
to the horse, makes a lot of noise and allows me to say "wake up
and try" without causing a fight. Quite often your horse will
simply dawdle along and either refuse to "play the game" or hit
a plateau and stop improving. Either situation calls for extra
motivation. You could hit the horse – but do this often enough
and you'll find one that hits back. Instead, stand clear
of your horse and give the saddle a good wallop. (If you've got
a good saddle, you might want to first cover it – dressage whips
can leave marks.) Remember that – throughout this exercise –
most of your taps are lighter and applied directly to the
horse's hip. Save your saddle wallops for waking up your steed
when he isn't trying.
You'll continue walking backwards, tapping your horse till he
moves a foot to the left, releasing and repeating. If you're
quick on your release, the horse will quickly realize what's
required. Initially learning that concept ("move my back left
foot to my left") is the hardest part for the horse, so be
super-patient when you begin and be hawk-eyed for tiny physical
or mental improvements. Once he gets the idea, things go
quickly. You'll be able to move his hip 90 degrees away from
the wall with little effort. At first, he'll take a step to the
left then immediately move back against the wall. But what
you'll soon notice is that your horse will start simply walking
with his hip jutted progressively farther out and away from the
wall (sidepassing to his left). (Remember how they like to skip
"Step B" when they know "Step C" gets the release?) You won't
have to worry about "training" his shoulders, because the
continuous movement has kept them moving and in position.
You'll simply keep moving and tap, tap, tap, till the horse
brings his hips to wherever they're required for a proper
sidepass toward you.
If you're going around and around and the horse doesn't seem to
be moving away from the wall (improving or "getting it"), then
you're not applying enough pressure or you're ignoring small
changes (like "leaning left") or both. Go back and re-read this
article to see what you might have missed. You've got to
motivate your horse to try to find the answer and, simply put,
he's not motivated if he's not improving. Be careful and watch
your positioning when you apply your "extra pressure." Also, be
cognizant of the horse's attitude. Is he trying and not getting
it – or is he not trying and not getting it? "Not trying"
requires more motivation from you; "trying/not getting it"
requires more patience or perhaps a look back to what steps you
might be missing.
A caveat: It's bad (real bad) for your horse to learn to blow
past you, between your body and the wall. He's learning to
evade your requests, to become more belligerent. It's also
hugely aggravating. Once they've successfully learned this
dodge, they'll try it again and again. (And you'll see why I
said "Don't stand in front of your horse.") Your job then gets
progressively more difficult because it begins to feel like your
holding back raging flood waters. Don't get into this
predicament in the first place: As I said at the beginning,
you'll help yourself by only working through this exercise when
your horse has first been taught respect and good ground
manners. The best defense is a good offense here. If your
horse has proper ground manners and you begin this exercise,
then be constantly aware of how much pressure your horse is
putting on your left hand. Stay focused and the very instant
you feel the horse increasing the pressure (that is, he pushes
toward you with his head/body through the rein), correct him.
Fall back a bit in your training and concentrate on softening
that neck. Change your focus from "move that foot" to "soften
your neck." Catch this behavior early on – and be consistent
with a zero tolerance policy. Should he increase that pressure,
immediately change your focus as stated and keep your own
pressure steady (the direction "at which you pull" doesn't
matter) till the neck softens. Do this repeatedly, picking up
the reins and relaxing only when the horse relaxes. You might
also try backing him up a step or two then forward and backward
again (as if parallel parking) until the neck softens. If you
find yourself in a situation where your horse threatens to
overpower you here, just be aware that you'll need to spend far
more time "softening that neck" as outlined (and therefore
gaining respect and control) than you might have expected.
When you can back away from your horse and he'll consistently
sidestep toward you, keeping his hips ninety degrees from the
wall, you're ready for the next step. The next step is simply
this: Repeat the entire process, still working parallel to the
wall, but away from it by six feet. (Don't be tempted to move
too far away – you still need that wall to make corrections.)
Your training will now seemingly unravel because the wall isn't
there to cut off his movement. That's to be expected. When he
moves incorrectly, (stepping to his right), simply keep your
pressure up, smoothly directing him (that is, his head, through
your grip on the rein) back toward the wall, tapping until he
steps his hip to the left. Pet him and move back away from the
wall, repeating this process until your horse "gets it." From
here it's a simple matter to move away from the wall entirely.
You'll walk away by forty feet or whatever and once again
repeat the process. Your horse may very well regress a bit,
(I'd expect it to), but all you have to do is "go back to the
wall" (either against it as when you first began, or away by
several feet) till things start to click.
Now, if your horse tries to dodge you as you try to mount, you
have a great way to move him back into position. Simply raise
that right hand and kiss. Your horse will dutifully move back
into place.
Finally, you may be wondering the obvious: From this point
forward, how will my horse know when to move toward me and when
to move away? The answer simply lies in the horse reading your
body language. You will have practiced this enough that your
equine friend will certainly recognize the difference between
your hands held this way or that way, your leg here or there.
This article
is part of the "Training
Horse in Hand" series. To read more, or to find a clinic or
Certified John Lyons horse trainer near you, visit
horsemanship101.com.
About the author:
Keith Hosman: If your horse won't
speed up, slow down, stop or turn, you missed the latest
training methods from Josh and John Lyons. Have you lost your
confidence? Want a horse to brag about? Invest one weekend to
make big changes with John Lyons Certified Trainer Keith Hosman.
Keith is based near San Antonio, TX and is available for
clinics, private sessions and training. He frequently conducts
clinics and demonstrations — with an event coming soon to a town
near you. For more horse training articles, or to attend a
clinic or find a John Lyons trainer living in your area, visit
horsemanship101.com now.
No part of this article may be
reproduced without the express written permission of Keith
Hosman. To contact us regarding reprints or syndication of our
articles (in print or online), please contact us via
www.horsemanship101.com.
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